BLAUES RAUSCHEN

*BLAUES RAUSCHEN, das Festival für digitale Soundexperimente, elektronische Musik, Performance, Tanz und Installation, lotet Möglichkeiten aus, die aktuelle technische Entwicklungen Künstler*innen und ihrem Publikum bieten.
Präsentiert werden Künstler*innen, die die Möglichkeiten analog/digitaler oder rein digitaler Technik nutzen, um künstlerische und politische Positionen zu Fragen aktueller gesellschaftlicher Entwicklungen einzunehmen.
Dazu finden in verschiedenen Städten des Ruhrgebiets Konzerte, Performances, Installationen und Vorträge statt. Die Künstler*innen treten in 25-Minütigen Slots und nahezu ohne Pause hintereinander auf. Infos auf www.blauesrauschen.de

BLAUES RAUSCHEN ist eine Veranstaltung des gemeinnützigen Vereins open systems in Kooperation mit dem Ministerium für Kultur und Wissenschaft NRW, dem NRW KULTURsekretariat, dem Regionalverband Ruhrgebiet RVR, dem Musikfonds und den ausrichtenden Kommunen sowie weiteren Sponsoren und Partnern.
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* BLAUES RAUSCHEN, festival for electronic music and digital experiments, explores possibilities that current technical developments offer artists and their audiences.
Artists will be presented who use the possibilities of analog / digital or purely digital technology to take artistic and political positions on questions of current social developments.
Concerts, performances, installations and lectures will also take place in different cities of the Ruhr Area. The artists perform in 25-minute slots and almost without a break one after the other.

BLAUES RAUSCHEN is an event of the non-profit association open systems in cooperation with the state of North Rhine-Westphalia and the organizing municipalities as well as other sponsors and partners.

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Shaping Perception through Interplay

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In Podcast Episode 35, Aneta Nousheri talks with Merche Blasco and Farzané about two performances at festival Blaues Rauschen 2026 that expand our understanding of perception: FAUNA and LIVE HUMAN-COMPUTER IMPROVISATION. Merche Blasco and Farzané are both multimedia artists, but they arrived at their practice through different paths. Merche Blasco’s background in engineering and music has shaped her approach to sound as something physical and open-ended. Farzané began with classical music and film before turning to technology, driven by a curiosity about how sound can continuously evolve. What connects them is a shared interest in performance as a space where...

The Haptic of the Invisible

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In Episode 34, Tim Löhde meets composer Robert Lippok alongside sound performer Hye Young Sin. They discuss how physical materials, from the delicate resonance of glass to discarded everyday objects and trash, can be transformed into striking sonic experiences. The conversation moves through the historical relationship between architecture and acoustics, as well as the fragile balance between order and chaos. Both guests will present new works at the BLAUES RAUSCHEN Festival. With his project “Material”, Robert Lippok reflects on fluid societies and architectural superstructures, while Hye Young Sin experiments with fundamental physical properties in her upcoming work “House Warming No....

Joint Speculation

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In Episode 33, artist and musician Tim Löhde meets Thomas Lehn and Georg Graewe at “Café Weidinger” in Vienna to talk about improvising and composing together with electronic and acoustic Sounds, as well as the unique qualities of their instruments: piano and analogue synthesizer. As a duo, they'll present their electroacoustic performance "Key Commands" at the BLAUES RAUSCHEN Festival, where Graewe's piano and Lehn's synthesizer are linked via microphones. This connection opens up a new space for musical interaction, in which each instrument shapes and responds to the other. Although they have known each other for over 30 years, this...

The Ghost in the Machine

‧ 12m 11s

In Episode 33, artist and musician Tim Löhde meets Thomas Lehn and Georg Graewe at “Café Weidinger” in Vienna to talk improvising and composing together with electronic and acoustic Sounds, as well as the unique qualities of their instruments: piano and analogue synthesizer. As a duo, they'll present their electroacoustic performance Key Commands at the Blaues Rauschen Festival, where Graewe's piano and Lehn's synthesizer are linked via microphones. This connection opens up a new space for musical interaction, in which each instrument shapes and responds to the other. Although they have known each other for over 30 years, this is...

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